Chart standing · US
What changed · US
Listing changes AppTracker has observed for this app in this storefront — new versions, price moves, rating shifts, and store copy.
> Fixed a click when sweeping the Tilt EQ through center. The control is smoothed now, so fast moves and automation no longer zipper. > Mono mode is last-note priority in every trigger mode now. > Touch a control and the display shows its name and value. > New preference: Jump To Click, for faders that jump to the mouse instead of dragging from where they sit. Off by default. Latch is now a parameter, for those that want to control it with hardware or automation. Its state is not stored in the preset.
Price & rating history · US
Reconstructed from the listing changes AppTracker has observed in this storefront, so each line starts at the first change on record.
Average rating
Ratings breakdown · US
The star breakdown behind this app's rating in this storefront.
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About
We rebuilt the legendary micro composer of 1983, then gave it everything the original owners wished for: eight voices, MPE, and a couple of new dirty tricks. The voice is the one you know: a single fat oscillator with sawtooth and pulse (manual, LFO, or envelope PWM), a three-mode sub oscillator, and a noise source, mixed and driven into a classic four-pole lowpass filter. One snappy ADSR, switchable env/gate VCA, and an LFO with triangle, square, stepped random, and noise shapes, complete with onset delay, tempo sync, and retrigger. Portamento with the proper on/auto/off modes, and gate, gate+trig, and LFO trigger modes, exactly like the hardware. Then we went further: • Eight-voice polyphony, or the original mono behavior with the flip of a switch • MPE support with per-note pitch bend and pressure, four aftertouch destinations (VCO mod, VCF mod, filter freq, LFO rate), and adjustable pressure smoothing • MTS-ESP microtonal tuning, retuned continuously while notes sound • SPREAD for stereo voice panning, and AGE, which drifts each voice like forty-year-old components • A full drive section: pre-filter saturation, filter drive, post-VCA distortion, and a tilt EQ • Velocity to filter and amp • A chicklet keyboard with latch and octave shift, playable right on the panel • Full preset manager with favorites and a factory bank • Five faceplate colors, including one for console cowboys • AUv3 and standalone, with an interface that fills whatever window your host hands it AD-202 works everywhere iOS makes noise: AUM, apeMatrix, Logic Pro, GarageBand, Cubasis, and any other AUv3 host, plus a standalone app with its own audio and MIDI settings. No subscriptions. No accounts. No nonsense. Buy it once, own it forever.
What's new · 1.0.1
> Fixed a click when sweeping the Tilt EQ through center. The control is smoothed now, so fast moves and automation no longer zipper. > Mono mode is last-note priority in every trigger mode now. > Touch a control and the display shows its name and value. > New preference: Jump To Click, for faders that jump to the mouse instead of dragging from where they sit. Off by default. Latch is now a parameter, for those that want to control it with hardware or automation. Its state is not stored in the preset.
Details